Femininity, from a raw, angular perspective. Androgyny, with an eccentric yet rounded tingle.
Marni prefall is a harmony of contrasts reconciled in a way that is both rational and instinctive. Languid dresses and masculine tailoring juxtapose and interact effortlessly. Refined volumes and simplified shapes define the graphics, mobile silhouettes. The sense of rigor is offset by a studiously unbalanced, impromptu quest: pointed hems, rolled ruffles, morphose lengths.
Form follows function, in unpredictable ways: coats are sleeveless, cuffs narrow, pants with single pleats at the hem, relaxed and loose are cut to mid-calf or skim the floor, sleeveless vests become asymmetrical tunics.
The tailoring is vigorous and rigorous. Impotence incites power: collarless or buttonless coats, t-shirt shirts, long belts as fasteners, long tunic tops.
Laminated furs with impeccable fall: beaver, astrakhan, mink.
Black, shiny and furry tips are made specifically for glamorous evenings.
Prints set the pace: energetic pastilles, pirouettes, assertive micro-geometrics. Sequin embroidery adds a touch of geometric frivolity.
Firm yet light fabrics bring clean lines: plaid bouclé wool, knit wool, double-faced wool jersey, georgette.
The palette is focused, with carefree detour: black, white, tobacco, camel, dashes of periwinkle blue and light yellow.
Shoes are pointed with decorative bows and sandals with lace-up straps. Geometric motifs proliferate on the emblematic Trunk. Bags are small, with sculptural shapes or large, functional volumes: a model with an enamel polka-dot closure, a bucket with a small handle and snap fasteners, a narrow version of the shoulder bag with a large shoulder strap.
The juxtaposition of feminine and masculine straight and short lines is sealed by earrings with resin and metal hoops, and oversized sunglasses with segmented frames.
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