At Courrèges, hair moves from natural to sculptural

by PASCAL IAKOVOU

At Maitrepierre, the bag also holds the intimate

by PASCAL IAKOVOU

Capasa Milano Shoes: the shoe as a statement of method

by PASCAL IAKOVOU

Issey Miyake: the still-damp drape that became a mould

by PASCAL IAKOVOU

DIRTY RICE: when basmati rice becomes a material of desire

by PASCAL IAKOVOU

Anrealage: six dresses that change colour without light

by PASCAL IAKOVOU

A cinematic vision of glamour in the Dries Van Noten collection

by Tania Tuka

Beijing turns Fashion Week into market infrastructure

by PASCAL IAKOVOU

In Mauritius, Radici brings Sicily to the water’s edge

by PASCAL IAKOVOU

The architecture of the body and the art of transformation in the...

by Tania Tuka

At Lanvin, the tuxedo jacket lengthens into a coat dress

by PASCAL IAKOVOU

Cecilie Bahnsen takes the dress beyond special occasions

by PASCAL IAKOVOU

Donna Karan New York dines in Paris with Mert Alas, its Creative...

by PASCAL IAKOVOU

Bvlgari brings back the Melone minaudière, this time in gilded aluminium

by PASCAL IAKOVOU

Maison Crivelli reverses the usual order of luxury: the world first, the...

by PASCAL IAKOVOU

Jumeirah and Humantra unveil Pineapple, a wellness ritual

by PASCAL IAKOVOU

Monte-Carlo Jazz Festival, twenty years of programming as cultural policy

by PASCAL IAKOVOU

Elie Saab spring-summer 2027: Jean Harlow, lingerie and a knotted trench

by PASCAL IAKOVOU

Buccellati unveils its Caviar Bar beneath the mirrored vaults of Palazzo Gavazzi

by PASCAL IAKOVOU

Custo Barcelona, first Spanish show at Rockefeller Center

by PASCAL IAKOVOU
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