LUXSURE MAGAZINE Spring-Summer 2025: a manifesto of radical beauty and exceptional jewellery...

by Pascal Iakovou

The Bold Collection by Juliette Has a Gun, or Perfume as a...

by Pascal Iakovou

Humanoids: Can Europe Still Build Robot Brains?

by Pascal Iakovou

The Voyou Bucket: Geometry Through the Cord

by Pascal Iakovou

Boucheron and Onyx: When the Stone Is No Longer Set

by Pascal Iakovou

The Dalmore is transforming its Highland distillery into an immersive cultural experience

by Pascal Iakovou

Building for the Long Term: Why AI Is Restoring Value to the...

by Pascal Iakovou

In Charente, a sprint against the clock

by Pascal Iakovou

Grey Goose Berry Rouge, or the Question of a Vodka’s Terroir

by Pascal Iakovou

Audemars Piguet Enters the World of Padel to Embrace a New Form...

by Pascal Iakovou

Pasquale Bruni chose Myriem Boukadida to play his 65-year-old self

by Pascal Iakovou

Manolo Blahnik reimagines the wedge espadrille with Hangrillahi

by Pascal Iakovou

Les Chalmonts 2020: Joseph Perrier’s Plot-by-Plot Analysis in Cumières

by Pascal Iakovou

OHMAI, or The Day AI Asked for a Body

by Pascal Iakovou

JW Anderson and Kylie Minogue: Fashion as an Exercise in Curation

by Pascal Iakovou

ETRO x Globe-Trotter: Luggage as a Personal Archive

by Pascal Iakovou

FENDI Cruise 2027: Maria Grazia Chiuri Opens the Mirror

by Pascal Iakovou

AI: Why 80% of Companies Barely Reap the Value They’re Funding

by Pascal Iakovou

BAO BAO ISSEY MIYAKE presents CITY, an urban geometry in motion

by Pascal Iakovou

Wempe Workshop at:thentic: Jewelry as an Open Grammar

by Pascal Iakovou

Maria Galland Paris and Skin Repair, or the Return of Continuous Care

by Pascal Iakovou

The Fashion

EMERSON BY JACKIE FRASER-SWAN, Spring Summer 2014, New York

by Pascal Iakovou 2 November 2013

by Pascal Iakovou 2 November 2013 0 comments