LUXSURE MAGAZINE Spring-Summer 2025: a manifesto of radical beauty and exceptional jewellery...

by Pascal Iakovou

Humanoids: Can Europe Still Build Robot Brains?

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The Voyou Bucket: Geometry Through the Cord

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Boucheron and Onyx: When the Stone Is No Longer Set

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The Dalmore is transforming its Highland distillery into an immersive cultural experience

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Building for the Long Term: Why AI Is Restoring Value to the...

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In Charente, a sprint against the clock

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Grey Goose Berry Rouge, or the Question of a Vodka’s Terroir

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Audemars Piguet Enters the World of Padel to Embrace a New Form...

by Pascal Iakovou

Pasquale Bruni chose Myriem Boukadida to play his 65-year-old self

by Pascal Iakovou

Manolo Blahnik reimagines the wedge espadrille with Hangrillahi

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Les Chalmonts 2020: Joseph Perrier’s Plot-by-Plot Analysis in Cumières

by Pascal Iakovou

OHMAI, or The Day AI Asked for a Body

by Pascal Iakovou

JW Anderson and Kylie Minogue: Fashion as an Exercise in Curation

by Pascal Iakovou

ETRO x Globe-Trotter: Luggage as a Personal Archive

by Pascal Iakovou

FENDI Cruise 2027: Maria Grazia Chiuri Opens the Mirror

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AI: Why 80% of Companies Barely Reap the Value They’re Funding

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BAO BAO ISSEY MIYAKE presents CITY, an urban geometry in motion

by Pascal Iakovou

Wempe Workshop at:thentic: Jewelry as an Open Grammar

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Maria Galland Paris and Skin Repair, or the Return of Continuous Care

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European industry doesn’t need a ChatGPT. It needs a backbone.

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The Fashion

Backstage at the TOPSHOP Unique Fall Winter 13 show

by Pascal Iakovou 25 March 2013

by Pascal Iakovou 25 March 2013 0 comments