{"id":2030305,"date":"2026-04-23T11:43:37","date_gmt":"2026-04-23T09:43:37","guid":{"rendered":"https:\/\/www.luxsure.fr\/2026\/04\/23\/tamara-de-lempicka-as-method-victoria-beckham-as-construction\/"},"modified":"2026-04-27T02:01:23","modified_gmt":"2026-04-27T00:01:23","slug":"tamara-de-lempicka-as-method-victoria-beckham-as-construction","status":"publish","type":"post","link":"https:\/\/www.luxsure.fr\/en\/2026\/04\/23\/tamara-de-lempicka-as-method-victoria-beckham-as-construction\/","title":{"rendered":"Tamara de \u0141empicka as method, Victoria Beckham as construction"},"content":{"rendered":"\n

For Fall-Winter 2026, Victoria Beckham has chosen the Cit\u00e9 Internationale Universitaire as her stage – a choice that is not neutral. This interwar campus, built on the geography of nations, resonates with Tamara de \u0141empicka: a woman without a fixed passport, a Pole in Paris, a cubist in Art Deco salons, a portraitist of emancipation in costume. <\/p>\n\n

The collection doesn’t quote the painter. It uses her as grammar. <\/p>\n\n

\u0141empicka treated clothing as the architecture of the body.<\/em> In his paintings, a coat is not an accessory: it’s a line of force that reorganizes space around a silhouette. Beckham has translated this logic into pattern-making. The car coats in the collection are cut flat-cut<\/em> – two-dimensional, without curves – to produce, when worn, an effect of depth in contrast with the body. The epaulette disappears into the detail: it runs from wrist to wrist, crossing the entire shoulder, transforming the back into a horizontal plane. This is not a structured shoulder in the manner of the eighties; it’s a geometry borrowed from painted frames. <\/p>\n\n

Detail<\/strong> – The three-dimensional rosettes, hand-assembled into tops and bustiers, proceed from the same reasoning: the depth of field that \u0141empicka obtained through light in painting, the collection constructs by superimposing material. In georgette or satin, floral formations are sometimes covered with a transparent crinoline that adds an extra optical layer – the garment seen through a garment, like a painting under glass. <\/em><\/p>\n\n

Knitwear is the site of another experiment. A merino sweater, worn through a slit at the back of the shoulder, creates a tubular panel at the front that modifies the reading of the bust without altering the piece itself. The gesture is minimal; the transformation, substantial. <\/p>\n\n

The Sloan<\/em> bag brings this logic to a close. Top-handle in distressed leather and croc-embossed leather, it takes on the shape of 1930s travel luggage – the kind \u0141empicka carried from Monte Carlo to Hollywood. Its folded side gussets are cut to reflect light and produce shadows in motion: an object that changes appearance depending on the angle of observation, just as a painting changes depending on the distance from the viewer. <\/p>\n\n

What the collection asks, without articulating, is an age-old question about fashion and painting: can one learn from the other not in terms of image, but in terms of method? \u0141empicka didn’t think color – she thought construction in color. Beckham, here, doesn’t quote the thirties. She reasons within their formal logic. <\/p>\n\n

The question remains open for subsequent seasons: how far can a fashion house push pictorial reference before it becomes quotation? For the moment, AW26 is on the side of the system. <\/p>\n\n

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For Fall-Winter 2026, Victoria Beckham has chosen the Cit\u00e9 Internationale Universitaire as her stage – a choice that is not neutral. This interwar campus, built on the geography of nations,…<\/p>\n","protected":false},"author":2,"featured_media":2016827,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[30432,30776,52709],"tags":[66642,66650,66647,66649,66646,66648,66645],"class_list":["post-2030305","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fashion-week-en","category-mode-en","category-thefashion","tag-autumn-winter-2026-collection","tag-flat-cut-coat-construction","tag-paris-march-2026-fashion-show","tag-sloan-bag-victoria-beckham","tag-tamara-de-lempicka-fashion","tag-three-dimensional-sewing-rosettes","tag-victoria-beckham-aw26"],"_links":{"self":[{"href":"https:\/\/www.luxsure.fr\/en\/wp-json\/wp\/v2\/posts\/2030305","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.luxsure.fr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.luxsure.fr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.luxsure.fr\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.luxsure.fr\/en\/wp-json\/wp\/v2\/comments?post=2030305"}],"version-history":[{"count":0,"href":"https:\/\/www.luxsure.fr\/en\/wp-json\/wp\/v2\/posts\/2030305\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.luxsure.fr\/en\/wp-json\/wp\/v2\/media\/2016827"}],"wp:attachment":[{"href":"https:\/\/www.luxsure.fr\/en\/wp-json\/wp\/v2\/media?parent=2030305"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.luxsure.fr\/en\/wp-json\/wp\/v2\/categories?post=2030305"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.luxsure.fr\/en\/wp-json\/wp\/v2\/tags?post=2030305"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}