{"id":1996206,"date":"2010-09-20T08:50:00","date_gmt":"2010-09-20T06:50:00","guid":{"rendered":"https:\/\/www.luxsure.fr\/2010\/09\/20\/jeff-koons-popeye-sculpture-at-galerie-jerome-de-noirmont-paris\/"},"modified":"2026-04-15T10:26:26","modified_gmt":"2026-04-15T08:26:26","slug":"jeff-koons-popeye-sculpture-at-galerie-jerome-de-noirmont-paris","status":"publish","type":"post","link":"https:\/\/www.luxsure.fr\/en\/2010\/09\/20\/jeff-koons-popeye-sculpture-at-galerie-jerome-de-noirmont-paris\/","title":{"rendered":"JEFF KOONS POPEYE SCULPTURE at Galerie J\u00e9r\u00f4me de Noirmont, Paris"},"content":{"rendered":"

JEFF KOONS
\nPOPEYE SCULPTURE
\nSEPTEMBER 16
\n\/
\nNOVEMBER 20, 2010<\/p>\n

In 1997 the Galerie Jerome de Noirmont organised Jeff Koons’ first solo show in France1, with a
\nselection of works offering the French public an overall view of his career, from the first
\nInflatables made in 1979 up to the 1992 Puppy, a photograph representing the huge, flowercovered
\nsculpture that Koons created for that year’s Documenta in Kassel.<\/p>\n

In 2008 the exhibition Jeff Koons Versailles set up a new original dialogue between
\ncontemporary and classical art at the heart of the royal apartments in the Ch\u00e2teau of Versailles,
\nplacing some of Koons’s most iconic sculptures, both recent and early, in juxtaposition with
\ntreasures of French 18th-century art. Seeking to instil a strong sense of interactive significance
\ninto this confrontation between these different forms of artistic expression, and aware that he
\nwas addressing a wide public, the palace’s visitors some with little or no experience of
\ncontemporary art, Koons was very attentive to the hanging of his works, always aiming to
\ninteract with the decoration and function of the rooms. Thus his winsome Rabbit was exhibited
\nin the Salon of Abundance, his Bear and Policeman in the Salon of War, and the shiny Moon in
\nthe Gallery of Mirrors. <\/p>\n

His third solo show in France will be on view at the gallery from September 16 to
\nNovember 20, 2010; Jeff Koons will present his latest sculptures from his Popeye series.
\nAlthough his work contains numerous art historical references to figures from Fragonard to
\nPicasso, and more notably to Duchamp and Dali, the key to Koons’s art is the relation to the
\nviewer. His great concern is to address all kinds of people, whatever their social or cultural
\norigin – to create trust in the viewer: as Koons himself states, “I am very conscious of the viewer
\nbecause that’s where the art takes place. What’s important isn’t this object that we’re looking at;
\nthat object communicates the information that you want the viewer to have a dialogue with. (..)
\nWhat I care about is letting the viewer know that they’re what’s important.” <\/p>\n

In order to implement this discourse, which brings the subjective dimension back in the artwork,
\nKoons uses a visual language that all can understand, involving popular archetypes that are
\nessential images stored in the collective unconscious (flowers, toys, wedding rings, hearts). The
\nartist heightens the metaphorical power of these archetypes either by reproducing them in shiny,
\nreflective material, as in the Celebration series, or by heightening their realism in order to
\nenhance their credibility. <\/p>\n

The image of Popeye, an iconic American cartoon figure created in 1929, was a natural choice
\nfor Koons as a symbol of self-acceptance, not only in terms of this character’s optimistic and
\nself-accepting personality (“I am what I am”), but also because of his obvious link to Pop Art
\nand, more allusively, to Surrealism, two movements based on an acceptance of the world around
\nus.<\/p>\n

\n
\n
\"\"<\/a><\/dt>\n
MOUSTACHE, 2003 Popeye series polychromed aluminum, wrought iron, coated steel chain. 260,4 x 53,3 x 191,8 cm – 102 1\/2 x 21 x 75 1\/2 in. Edition of 3 and 1 artist’s proof. (c)Jeff Koons. Courtesy Galerie J\u00e9r\u00f4me de Noirmont, Paris <\/dd>\n<\/dl>\n<\/div>\n

\n

The idea for this series begun in 2002 came from the sight of a tree growing through a chain-link
\nfence. This image inspired Koons to dream up a series in which “living” objects – usually an
\ninflatable pool toy featuring a cartoonish animal – are combined with simple “readymade”
\nobjects such as a chair, a stepladder or a steel trashcan. Surrealist-like combinations of
\nheterogeneous elements, the sculptures in the Popeye series are composite works, unlikely
\nencounters between inflatable objects and inanimate ones, between leisure items which in our
\nconsumer society are symbols of desire, and industrially produced functional objects.
\nIn some of these pieces, such as Monkeys (Chair), in which three monkeys (cast aluminium)
\nhang from the ceiling while balancing a chair off the floor, the interaction between the inflatable
\ntoys and the object looks like a dance. In others, like Seal Walrus Trashcans, the inflatable pool
\ntoys are morphed into the trashcan and seem to have stopped in their movement. Inflatable
\nobjects have been among Koons’s favourite motifs since his d\u00e9but in 1979. Here they function as
\nmetaphors of the human body, as “breathing objects” that endow a semblance of life to the inert
\nobjects with which they are combined. <\/p>\n

\n
\n
\"\"<\/a><\/dt>\n
ACROBAT, 2003-2009 Popeye series Polychromed aluminum, galvanized steel, wood, straw. 228,9 x 148 x 64,8 cm – 90 1\/8 x 58 1\/4 x 25 1\/2 in. edition of 3 and 1 artist’s proof. (c)Jeff Koons.courtesy Galerie J\u00e9r\u00f4me de Noirmont, Paris <\/dd>\n<\/dl>\n<\/div>\n

\n

A versatile archetype, the lobster is an essential element in this series. In this exhibition it is
\nrepresented by the imposing sculpture Acrobat. Synonymous with Surrealism ever since Dali
\ntransformed it into a telephone handset, the lobster here takes the form of a playful and sensual
\ninflatable toy, its antennae seeming to form moustaches in an obvious reference to Dali’s
\nwhiskers, and to the moustache that Marcel Duchamp painted onto the Mona Lisa in L.H.O.O.Q.
\nThe lobster also symbolizes the duality of sexuality, which is something that Koons sees as an
\nessential aspect of his work and as one of the driving forces in Western art for long. Its shape
\nexplicitly evokes this duality: from one angle, it suggests the male sexual member, from another,
\na woman’s gaping vulva, with its tail as the womb. In Acrobat this intrinsic contrast is extended
\nin the contrast between the trashcan and the chair on which the lobster finds its balance.
\nThe Popeye figure joins the lobster in the series’ narrative dimension, again suggesting a certain
\nidea of sexuality: we have Popeye on one side and Olive Oyl on the other (shown here in the
\nform of a mirror-like stainless steel piece with a red colour coating). Symbolised by the lobster,
\nthis bipolarity, like sexuality itself evolving between feminine and masculine poles, can be found
\nin the image of Popeye, this cartoon character who oscillates between strength and fragility,
\nfailure and success, who goes back and forth… <\/p>\n

\n
\n
\"\"<\/a><\/dt>\n
DIPSTICK, 2003-2009 Popeye series Polychromed aluminum, wrought iron, stainless steel. 228,6 x 243,8 x 55,9 cm – 90 x 96 x 22 in. Edition of 3 and 1 artist’s proof. (c)Jeff Koons. Courtesy Galerie J\u00e9r\u00f4me de Noirmont, Paris <\/dd>\n<\/dl>\n<\/div>\n

\n

The multifaceted Popeye character is an archetype used by Koons from the modern Western
\nimagination to illustrate his discourse on the nature and the role of art in today’s world.
\nLike the avant-gardes, Koons is constantly aiming to redefine the function of art within society,
\nopening it to a wider audience. By using imagery that is both popular and contemporary, Koons
\nintends to go beyond the segregationist aspect of art and consider it, not as a pedagogical or
\ndogmatic discourse, but as a mode of action, halfway between tradition and innovation. <\/p>\n","protected":false},"excerpt":{"rendered":"

JEFF KOONS POPEYE SCULPTURE SEPTEMBER 16 \/ NOVEMBER 20, 2010 In 1997 the Galerie Jerome de Noirmont organised Jeff Koons’ first solo show in France1, with a selection of works…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[30094],"tags":[54620,54618,54621,54619],"class_list":["post-1996206","post","type-post","status-publish","format-standard","hentry","category-culture-en","tag-alerie-jerome-de-noirmont","tag-jeff-koons","tag-jerome-de-noirmont-gallery","tag-popeye-sculpture"],"yoast_head":"\nJEFF KOONS POPEYE SCULPTURE at Galerie J\u00e9r\u00f4me de Noirmont, Paris - Luxsure<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.luxsure.fr\/2010\/09\/20\/jeff-koons-popeye-sculpture-a-la-galerie-jerome-de-noirmont-paris\/\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"pascal iakovou\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.luxsure.fr\\\/2010\\\/09\\\/20\\\/jeff-koons-popeye-sculpture-a-la-galerie-jerome-de-noirmont-paris\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.luxsure.fr\\\/2010\\\/09\\\/20\\\/jeff-koons-popeye-sculpture-a-la-galerie-jerome-de-noirmont-paris\\\/\"},\"author\":{\"name\":\"pascal iakovou\",\"@id\":\"https:\\\/\\\/www.luxsure.fr\\\/#\\\/schema\\\/person\\\/e3e28d08083f4cbc258957c924e39423\"},\"headline\":\"JEFF KOONS POPEYE SCULPTURE at Galerie J\u00e9r\u00f4me de Noirmont, Paris\",\"datePublished\":\"2010-09-20T06:50:00+00:00\",\"dateModified\":\"2026-04-15T08:26:26+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.luxsure.fr\\\/2010\\\/09\\\/20\\\/jeff-koons-popeye-sculpture-a-la-galerie-jerome-de-noirmont-paris\\\/\"},\"wordCount\":1145,\"publisher\":{\"@id\":\"https:\\\/\\\/www.luxsure.fr\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.luxsure.fr\\\/2010\\\/09\\\/20\\\/jeff-koons-popeye-sculpture-a-la-galerie-jerome-de-noirmont-paris\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.luxsure.fr\\\/wp-content\\\/uploads\\\/2010\\\/09\\\/jk_moustache_2003_300-300x236.jpg\",\"keywords\":[\"alerie J\u00e9r\u00f4me de Noirmont\",\"JEFF KOONS\",\"J\u00e9r\u00f4me de Noirmont Gallery\",\"POPEYE SCULPTURE\"],\"articleSection\":[\"Culture\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.luxsure.fr\\\/2010\\\/09\\\/20\\\/jeff-koons-popeye-sculpture-a-la-galerie-jerome-de-noirmont-paris\\\/\",\"url\":\"https:\\\/\\\/www.luxsure.fr\\\/2010\\\/09\\\/20\\\/jeff-koons-popeye-sculpture-a-la-galerie-jerome-de-noirmont-paris\\\/\",\"name\":\"JEFF KOONS POPEYE SCULPTURE at Galerie J\u00e9r\u00f4me de Noirmont, Paris - 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